CRAFT CROSSINGS in TOKYO 第34回 伝統的工芸品月間国民会議全国大会 東京大会 11.3FRI-11.6MONCRAFT CROSSINGS in TOKYO 第34回 伝統的工芸品月間国民会議全国大会 東京大会 11.3FRI-11.6MON

Setosome Yaki

At the beginning of the 19th century, local people returned from Kyushu armed with the techniques for firing porcelain and a way of applying decorations using a soft Southern Sung Dynasty style of painting with great charm that they had learned from a specialist painter. Learning from each other, great developments were made and all the skills and techniques used in making this unglazed ware were finally established by the middle of the same century. Ways peculiar to this ware were gradually developed by depicting motifs derived from the nature of the area by decorative artists whose efforts were finally rewarded. Then in the Meiji period (1868-1912), production of this decorated porcelain was perfected further and expanded to include the making of large pieces such as jubako or stacking boxes, lamps and tables besides a more regular line of tableware, all of which are still being made today. The greatest feature of Seto Sometsuke Yaki lies in the way the detailed patterns are applied with a brush directly onto the surface of the unglazed clay. The technique of firing to obtain a tasteful design and the technique used to apply the detailed patterns of birds, flowers, insects and scenery with a brush on the surface of the porcelain using an indigo blue glaze are the special features of the ware from this area. A great deal of tableware is made alongside of articles used in the tea ceremony, items associated with incense, and a number of other interior items.
Aichi